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Showing posts with label Horror. Show all posts
Showing posts with label Horror. Show all posts
Amusement
Underworld: Rise of the Lycans
Set primarily in the lair of the vampires, a dark castle bathed in moon-blue light and dappled with pools of black shadow, the film offers few surprises other than Mr. Sheen’s vigorous, physical performance. Although the presence of Mr. Sheen — who currently can be seen twinkling as David Frost in “Frost/Nixon” and is probably best known for playing Prime Minister Tony Blair in “The Queen” — is initially distracting, it soon becomes the movie’s greatest asset. There is, as it turns out, some benefit to having a real performance even in a formulaic entertainment like this, as shown by Mr. Sheen’s commitment here and by the lackluster star turn of Kate Beckinsale in the previous movies. Unlike Mr. Nighy, who puts an amusing camp spin on his every line and gesture, Mr. Sheen appears to have taken his monster duties seriously: his eyes pop with menace, and he howls up a mighty storm. Though the director, Patrick Tatopoulos, clearly likes the looks of the female lead, Rhona Mitra as Sonja, Viktor’s daughter and Lucian’s lover, he gives Mr. Sheen plenty of face time. The actor’s value is particularly evident during the various fight sequences, which — because they are underlighted and, as is too often the case in contemporary genre cinema, overedited — come across as needlessly chaotic. It’s at moments like these that Mr. Sheen’s bright eyes become beacons, two points of light in the murky dark. “Underworld: Rise of the Lycans” is rated R (Under 17 requires accompanying parent or adult guardian). Spurting blood and impaled flesh. 
Tricked out in leather and heavy metal hair, the British actor Michael Sheen takes a lively break from his usual high-crust duties to bring wit, actual acting and some unexpected musculature to the goth-horror flick “Underworld: Rise of the Lycans.” The film, a prehistory to the first two “Underworld” movies, rewinds time to when the werewolves, or Lycans, led by Lucian (Mr. Sheen), began rattling the chains clamped on them by their vampire masters, a louche crowd that answers to Viktor (the British actor Bill Nighy).
Twilight
Storyline Bella Swan has always been a little bit different. Never one to run with the crowd, Bella never cared about fitting in with the trendy, plastic girls at her Phoenix, Arizona high school. When her mother remarried and Bella chooses to live with her father in the rainy little town of Forks, Washington, she didn’t expect much of anything to change. But things do change when she meets the mysterious and dazzlingly beautiful Edward Cullen. For Edward is nothing like any boy she’s ever met. He’s nothing like anyone she’s ever met, period. He’s intelligent and witty, and he seems to see straight into her soul. In no time at all, they are swept up in a passionate and decidedly unorthodox romance - unorthodox because Edward really isn’t like the other boys. He can run faster than a mountain lion. He can stop a moving car with his bare hands. Oh, and he hasn’t aged since 1918. Like all vampires, he’s immortal. That’s right - vampire. But he doesn’t have fangs - that’s just in the movies. And he doesn’t drink human blood, though Edward and his family are unique among vampires in that lifestyle choice. To Edward, Bella is that thing he has waited 90 years for - a soul mate. But the closer they get, the more Edward must struggle to resist the primal pull of her scent, which could send him into an uncontrollable frenzy. Somehow or other, they will have to manage their unmanageable love. But when unexpected visitors come to town and realize that there is a human among them Edward must fight to save Bella? A modern, visual, and visceral Romeo and Juliet story of the ultimate forbidden love affair - between vampire and mortal.
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Mirror
The movie starts with a man running away, escaping from something. He then runs into a locker room, where all of the lockers open to show his reflection. To his horror, the room's largest mirror begins to crack as he approaches it; he desperately apologizes to his reflection therein for running away in hopes of forgiveness, and begins fervently cleaning the mirrors. A piece of the mirror then falls off. Trying to redeem himself, he picks up the shard with the intention of putting it back on the mirror. However, his reflection slowly slashes his own throat, and the man dies, experiencing the effects of his throat being slashed despite not doing it himself.
Meanwhile, sometime later, Ben Carson (Kiefer Sutherland), a former undercover detective who was suspended after shooting another officer, is forced to take a night time security job at a department store that was gutted by a fire. The department store used to be a psychiatric hospital that experimented in treating schizophrenia. In 1952, a mass killing took place and the hospital was closed. It was later reopened as a luxury department store, the Mayflower. Carson comments on the pristine mirrors throughout the store, and the guard comments that the man Carson is replacing was obsessed with cleaning them.
Carson's round begins normally, though on his first night he sees a door open in a mirror's reflection while it is actually closed. After investigating, he finds nothing. Following nights expose Carson to more intense visions, which he initially shrugs off as hallucinations (due to a strong drug he started taking as a result of his alcohol dependency). He notices mysterious handprints on the mirror. Curious, he touches them, causing the mirror to break and injure his hand. Carson further hallucinates being set on fire, as well as seeing victims in various parts of the store who were burned to death. Afterwards, he finds the wallet of Gary Lewis (the man who dies at the beginning of the film), the night watchman he is replacing. The only piece of information is a note that says "Esseker." Ben then receives a package from Gary Lewis that was sent several days before his death. The package contains newspaper clippings about the fire and other crimes. The man convicted of burning the Mayflower was also convicted of killing his wife and children.
Carson tells his younger sister (whose apartment he is staying at) about what he sees, believing that it is not him looking into the mirrors, but rather, someone is looking at him. However, his sister is unconvinced. Later, he decides to see the body of Gary Lewis at the morgue (where his wife works), and she reluctantly agrees to let him see Gary Lewis and the photos of his death. He notices in the photo of Gary Lewis' body, that in the reflection of the mirror, the glass shard is bloody, but the one in reality is not. This convinces him that the mirrors are actually making people do things to themselves that they aren't actually doing.
Meanwhile, Angela (Amy Smart), Ben Carson's sister, is getting in the bath and begins to relax, when her reflection grips its jaw and begins to slowly tear it off, killing her. After arriving on the scene the next morning to see his sister's body, he returns to the store and attempts to destroy the mirrors, but they prove impervious and even regenerate from several bullets he fires at them. He demands to know what the mirrors want, and ESSEKER is written on the mirror. Ben investigates and finds the name Anna Esseker, a patient of the psychiatric institute. She supposedly died in the mass killing, but Ben discovers that she was actually transferred out two days prior to the event. After Angela's death, he realizes that the mirrors will eventually kill his family if he does not bring Anna Esseker to them. He goes to his wife's home and attempts to remove or paint the surface of every mirror in the house, but his estranged wife Amy (Paula Patton) believes that he is undergoing a breakdown. He tries to show Amy what happens when he tries to break the mirrors by shooting them, but nothing happens and she does not believe him. He looks in the window of his house and sees his children looking at him. Ben then leaves in frustration and embarrassment. However, Amy starts to believe Ben when she discovers her son Michael talking to his reflection. After calling him away, Michaels reflection remains, smiling at her. Amy calls Ben in a panic, who immediately returns home, and together they cover every reflective surface in the house.
Shortly after, Ben discovers Anna Esseker's home, but she is not there. The owner of the house says that when Anna was here strange things would happen with the mirrors, so they tried to get her help. The doctor's treatment was to lock Anna in a room of mirrors. Whatever was in her, left her and "entered" the mirrors. After that, Esseker was sent to a convent, where mirrors are not permitted. After finding Anna, she explains to Ben that she was possessed by a demon, and while in the hospital she was confined to a chair in a room which was surrounded by mirrors, as the doctors' believed this treatment would cure her schizophrenia by forcing her to confront her own reflection. In reality, the demon within her was drawn from her and became trapped in the mirrors.
Ben begs Anna to come back to the department store so that the demon will leave his family alone, though Anna refuses. Meanwhile, Ben's family is attacked by the mirrors. Because he feels the demon in the mirrors is a friend, Michael cleans the paint from all reflective surfaces with a butcher knife and turns all the faucets on, covering the floor with a thin, reflective layer of water. Amy is almost drowned by Michael's reflection in the bathtub, but she saves herself by pulling the drain plug. Meanwhile, a reflection of Amy almost slashes her daughter's throat but the real Amy manages to save her. Amy calls Ben for help, and he abducts Anna at gunpoint. Anna returns to the mirror room and tells Ben to strap her tight, then leave immediately. Amy finds Michael playing in the water. Michael is pulled through the surface of the water by his own reflection and is trapped on the other side, underwater.
As Anna opens her eyes and becomes repossessed, the mirrors explode. Ben returns to the mirror room and discovers that the demon is now crawling on the ceiling and walls and has superhuman strength. Ben shoots at it but fails to wound the demon. He then impales it on a broken steam pipe that ignites a nearby gas line. He tries to escape the crumbling building but the demon attacks again and he is forced to fight it off. The building gives away and various rubble comes down on the demon, killing it, and supposedly Ben as well.
At the family's home, Amy claws at the surface of the water in an attempt to rescue her drowning son. Suddenly, Michael is released from the other side of the reflection and Amy is able to pull him to safety and revive him with CPR.
Ben finally pulls himself out of the rubble and stumbles his way out of the building. Police and firemen are everywhere in the street, and a body is seen taken in a bag by paramedics, but nobody stops Ben as he leaves. He realizes that something is different because the name on a badge is written in reverse (like a mirror), so is the word "Police" on a car; his hand wound from earlier in the movie is on the opposite hand. Ben then realizes that he was crushed to death under the rubble and is now trapped in the mirror world. Fleeing the scene, he happens upon a mirror in town, and he can not see his reflection. He places his hand on it. The scene then changes to the real world and the audience sees Ben's hand print on the mirror. The camera pans and credits roll.
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Quarantine
The film opens with reporter Angela Vidal (Jennifer Carpenter) and her cameraman Scott Percival (Steve Harris) doing a report on the night shift of a Los Angeles fire station. Angela and Scott are introduced to firefighters Fletcher (Johnathon Schaech) and Jake (Jay Hernandez), whom they will be following for the evening.
A medical emergency at an apartment complex is reported and the night shift is sent in. Yuri (Rade Serbedzija), the building manager, explains that a woman has been screaming, but is now silent. They are joined by two police officers, James (Andrew Fiscella) and Danny (Columbus Short), in the lobby. They are led to the apartment of Mrs. Espinoza (Jeannie Epper), the source of the screaming. Yuri unlocks the door when she does not answer, and a dog runs out. Within the apartment, Espinoza is struggling to breathe, covered in blood, and foaming at the mouth. She bites James before being subdued by Fletcher. The others take James downstairs to get medical assistance, but find the building sealed shut by the authorities. Fletcher falls from the top floor, bitten, breaking his leg. Lawrence (Greg Germann), a veterinarian, tends to the injured men.
Danny and Jake go upstairs to subdue Espinoza, where they find the cleaning lady dead in her apartment. Danny shoots Espinoza when she charges at them. They all return to the lobby, meeting Sadie (Dania Ramirez) on the way. By this time, all exterior windows and doors are being sealed, and cell phones are being jammed. Anyone who attempts to leave is forced back at gunpoint. Jake believes they are being quarantined due to a nuclear, biological, or chemical emergency. Danny and Jake round up the tenants and bring them to the lobby, including Elsie (Stacy Chbosky), who is displaying the same symptoms as Espinoza.
While Fletcher, James, and Elsie are treated by Lawrence, Angela begins interviewing tenants. One little girl, Briana (Joey King), is sick. Briana claims that she has a dog named Max who was sick and taken to an animal hospital. Lawrence states that the symptoms of those infected are similar to rabies, only much more fast-acting.
Angela and Scott notice Bernard and Sadie sneaking away, looking for a TV to try to discover what is happening outside. Espinoza's infected dog appears and attacks one of the tenants. They reach Bernard's apartment and turn on the news, where the chief of police claims that everyone has been evacuated from the building, just before the power is shut off. The group is then attacked by Elsie, whom Scott kills.
Downstairs, Fletcher tries to attack everyone in the lobby, but Danny injects him with a sedative and then rounds everyone up in the textile shop. Danny states that Centers for Disease Control and Prevention agents are coming in to give blood tests. The residents are also told that anyone who is not infected will be released. Lawrence observes that the only way to test for rabies is through a brain sample, not a blood test, but Danny insists on following procedure. After a roll call, Yuri reveals that the penthouse apartment of the building is being rented by a man from Boston who is absent.
The CDC agents arrive and examine the infected victims, taking a brain sample from Fletcher. Fletcher breaks his restraints and attacks one of the agents. Danny, Jake, and the other agent escape, leaving Lawrence locked in the room with the infected. The textile shop is locked and the surviving CDC agent is forced to explain the situation: Briana's dog was brought to a vet with an unknown illness and infected all the animals there. The dog was traced back to the apartment building; Briana's fever is then called into question, and she bites her mother before running upstairs. Briana's mother, who is now hysterical, is handcuffed to the stairwell.
Danny is bitten by Briana, and many of the survivors downstairs are bitten as well. The survivors lock themselves in an upstairs room. The surviving CDC agent has been bitten and runs away to keep from infecting the others. He is locked in an adjacent room while the others try to figure out what to do. Sadie is also bitten but Bernard pleads with the others not to kill her. Bernard cuts through a window seal to call for help, but is killed by a sniper. Yuri reveals that they can escape through a basement passage into the sewers; however, the keys are in his apartment. He is then killed by the infected agent. His wife is then killed by Sadie, who succumbed to the infection.
Angela, Scott, and Jake make their way to Yuri's apartment to get his keys, avoiding and killing several infected while doing so. Jake is bitten along the way, and the infected chase Angela and Scott into the penthouse apartment. Within, they discover that the man from Boston, who was renting the penthouse, was a member of a doomsday cult that was cultivating an "Armageddon virus". A noise from the attic prompts Scott to investigate, and he finds an infected boy. The boy destroys the light on Scott's camera, so he turns on the night vision. Angela and Scott then see an emaciated man (Doug Jones) emerge from another room. He walks past them initially but attacks Scott when Angela inadvertently makes a noise. Angela watches through the night vision of the camera as the infected man eats Scott. The man then attacks her, causing her to drop the camera. The final shot is of Angela crawling back to the camera only to be dragged into the darkness, screaming.
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